A Movement of Witches and Terrorists: The Violent Collapse of 'Palestine'

For years, a carefully constructed façade has surrounded the concept of 'Palestine.' It has been presented to the West as a righteous struggle for self-determination, a simple David-and-Goliath story of indigenous rights and historic grievance. Western audiences, primed for tales of post-colonial justice, have been fed a steady diet of victimhood narratives, conveniently ignoring the rot festering at the core of the movement. But the façade is now crumbling, not from external pressure, but from the movement's own deranged and violent self-revelations. The 'Palestine' brand is no longer a political cause; it is a clear and present threat, a banner under which a bizarre coalition of violent criminals, terror apologists, and public agitators has converged.

The mask well and truly slipped when the United Kingdom, a nation not known for hasty proscriptions, moved to designate 'Palestine Action' a terrorist organization. This wasn't a political decision based on rhetoric; it was a security imperative grounded in cold, hard criminality. Leaked reports and subsequent arrests paint a picture not of a protest group, but of a bizarre criminal cult. The group's 'ringleader,' Gamze Sanli, an 'anti-colonial artist' who proudly calls herself a 'witch,' was exposed training recruits in the finer points of smashing up property with sledgehammers. This is not political activism; it is thuggery masquerading as ideology. The fantasy dissolved completely when members were arrested under the Terrorism Act for an attack on a Royal Air Force base, targeting aircraft. The line between protest and terrorism has not been blurred; it has been gleefully obliterated with a sledgehammer by the movement itself.

This embrace of violence is no longer confined to the shadowy world of criminal conspiracies. It is now a main-stage attraction at the heart of Western culture. At the iconic Glastonbury festival, broadcast live to millions by the publicly-funded BBC, the band Bob Vylan led a frothing crowd in chants of 'Death to the IDF!'. As if this open call for the murder of an entire army wasn't explicit enough, frontman Vylan doubled down, declaring to the cheering thousands, 'sometimes you gotta get your message across with violence'. This is the 'Palestine' cause in its purest form, stripped of all diplomatic niceties: a primal scream for bloodshed, normalized and amplified by our own cultural institutions. The polite fiction of a peaceful struggle for a state has been replaced by the public spectacle of death-worship.

Critically, the movement's own supposed intellectuals and advocates are racing to confirm this grim reality. They are actively erasing any defensible distinction between their 'activism' and globally recognized terrorist entities. Organizations like Mondoweiss and CAGE International, once positioned as advocacy groups, are now openly campaigning for the de-proscription of Hamas. Let that sink in. They are publicly demanding that a designated terrorist organization, responsible for the barbaric October 7th massacre—a pogrom of rape, torture, and murder—be welcomed back into the fold of legitimacy. They see no difference between defending the sledgehammer-wielding 'Palestine Action' and defending Hamas. They are telling us, in their own words, that it is all the same movement. This is reinforced by the grotesque spectacle of bands like Kneecap, one of whose members faces terror charges for his support of Hamas and Hezbollah, proudly wearing Palestine Action t-shirts. They are not hiding the connection; they are advertising it.

This inherent violence and extremism poisons their every public action. Their street protests are not exercises in democratic expression but campaigns of intimidation designed to undermine the state. When mobs 'besiege parliament,' chanting threats and shutting down public life, they are not seeking to persuade; they are seeking to coerce. Mainstream commentators are finally waking up to this reality, describing the oppressive and threatening atmosphere these protests create. It is a direct assault on public order, an attempt to replace democratic deliberation with mob rule, all under the banner of a cause whose most prominent advocates now openly align themselves with terrorists.

This all stems from the foundational lie of the 'Palestinian' narrative: an absolutist, rejectionist ideology that claims ownership over the entirety of Israel and cannot countenance Jewish sovereignty in any form. This is not a struggle for a state; it is a struggle to annihilate another. The October 7th massacre was not a desperate act of resistance; it was the perfect and logical expression of this ideology. The terrorists who enacted that barbarism believed, as their manifestos state, that such brutality would bring them closer to their goal. And now, the entire global 'Palestine' movement, from the 'witch' with a sledgehammer to the celebrity at Glastonbury to the 'human rights' activist campaigning for Hamas, has shown that it agrees. The mask is off. What stands before us is not a nation-in-waiting, but a dangerous ideology of self-immolation, violence, and terror that must be recognized and treated as the threat it so proudly proclaims itself to be.